Here’s what scares me. We don’t need to really care about each other, or about anyone else in the world. After all, it’s somehow a crime to talk to a complete stranger, even if in those few words, entire worlds of tiredness and worry can be unbound. It’s strange but we can live without ever choosing to love people. But there are those who raise you, those people to whom your love is inherently infused.
The world’s first DJ booth. AWESOME.
‘In 1910 Leon Gaumont demonstrated his Chronophone system, which synchronised sound and film, at the Gaumont Palace in Paris. The compressed-air amplifier, which he called the Eglephone, was just a part of the whole system. The volume was enough for an audience of 4000.
Initially the longest moving picture that could be made with synchronised sound was only 200ft, due to the limited playing time of the Gramophone record. (Projection was at 16 frames per second) Gaumont surmounted this problem by having two gramophone platters; a deft operator could switch between them to give a more or less continuous soundtrack.’
[Source]
Awesomee!!
Sometimes I go to sleep and have dreams that I wake up next to you. Those dreams are all soft white bedsheet dreams. The world is a blurred edge and your breathing is all I can hear. My fingers yearn to touch you. I’m waiting for that morning, years from now. The morning when we’re tied to each other. I’m waiting for the white dream to dissolve everything else.
‘V DAY KISS’ MURAL by KOBRA
We’re so late on this but we just had to post it anyway, because let’s face it…it’s spectacular! Eduardo Kobra’s mural of Alfred Eisenstaedt’s photo, V-J Day in Times Square. – Chelsea, NYC, USA.
via Street Art Utopia & pic by Daniel Albanese a.k.a The Dusty Rebel (make sure you check out his tumblr!)
I L O V E this!

![magicfran:
The world’s first DJ booth. AWESOME.
‘In 1910 Leon Gaumont demonstrated his Chronophone system, which synchronised sound and film, at the Gaumont Palace in Paris. The compressed-air amplifier, which he called the Eglephone, was just a part of the whole system. The volume was enough for an audience of 4000.
Initially the longest moving picture that could be made with synchronised sound was only 200ft, due to the limited playing time of the Gramophone record. (Projection was at 16 frames per second) Gaumont surmounted this problem by having two gramophone platters; a deft operator could switch between them to give a more or less continuous soundtrack.’
[Source]
Awesomee!!](http://25.media.tumblr.com/tumblr_m68zyiy8oF1qfhzsvo1_500.jpg)


